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EQ |
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frequency. Choose the frequency change point.
Good for rumble.
Filter: Filters out frequencies below a designated frequency point, allowing frequencies above the frequency point to pass through. AKA low cut. |
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Either boosts or reduces gain under a |
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to do. Choose the frequency change point and
whether you want to increase or decrease the
gain under that frequency
designated frequency point. |
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Either boosts or reduces gain |
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designated frequency point. |
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• Can also isolate various frequencies with q10, etc
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Compressors |
dynamic range. Leveling out peaks and valleys
Attenuates audio above a designated threshold at a designated ratio, attack time and release time. • Threshold: Signals that exceed this level will be compressed. • Ratio: Sets the compression ratio. The range is based on decibels • Attack and Release: the compressor’s ‘grip’ on the signal; how • Gain Reduction: The amount of gain being reduced by the compressor | |
Limiters |
threshold. Prevents signal peaks.
A compressor with a high ratio, typically well over 10:1. • Reduction: Indicates the amount by which the signal is being • Threshold: Sets the threshold level. Signals that exceed this level • Attack and Release: the limiter’s ‘grip’ on the signal; how long it • Lookahead: Pre-activates the given limiting settings by a designated time. | |
Expander/Gate |
Reduces noise by decreasing the gain of signals that fall below a • Threshold: Sets the threshold level. Signals that fall below the • Ratio: Sets the amount of expansion. For example, if this is set to • Range: how much will volume be reduced. |
DeEsser | |
Pitch shift | |
D-verb | |
True verb | |
Normalize | |
Gain | |
Delay | |
Modulation |