Avid
- AVID - 2398 Offline Capture from DVCAM
- AVID - ALE to 24
- AVID - Audio Output Tool
- AVID - Building Countdowns and Leaders Avid Media Composer
- AVID - Capture Online Media Without Deleting Offline Media
- AVID - Capturing in Media Composer 3.0
- AVID - Change Sample Rate
- AVID - Changing Audio Sample Rates in Media Composer 3.0
- AVID - Compressing for Web download using Compressor
- AVID - Connect DV Deck via Firewire
- AVID - Consolidate
- AVID - Convert Flex File to ALE file
- AVID - Converting Audio Sample Rates
- AVID - Crash Recording, Local Digital Cut, Remote Digital Cut, Deck Troubleshooting
- AVID - Creating a New Project
- AVID - Creating a Project from an ALE File
- AVID - Creating Backup Copy of Your Avid Project
- AVID - Deleting and Rebuilding Media Databases on AVID ISIS server
- AVID - Digibeta Online Capture in AVID 6
- AVID - Digital Cut to Digibeta
- AVID - Digitizing DAT
- AVID - Display Error
- AVID - DVCAM in AVID 3 or AVID 6
- AVID - DVD Authoring Workflow
- AVID - Easy Image Resizing also called Pan and Scan Effect
- AVID - EDL to FCP
- AVID - Export an DNxHD Quicktime - Use this Workflow for End of Semester Screenings
- AVID - Export an AVID QT Reference
- AVID - H264 QuickTime Export - For Video Playback in ProTools
- AVID - Export a QT Ref
- AVID - Export a Native Quicktime
- AVID - Exporting Sequence for Animation
- AVID - Prep and Export .AAF and QuickTime Movie to ProTools
- AVID - Get Rid of OHCI Error when Digitizing
- AVID - HD AVID DV offline
- AVID - HDCAM 23-98 Offline Project Setup and Capture
- AVID - HDCAM 2398 Online Workflow - SD to HD Format Conversion
- AVID - HD Downconvert to DV Offline
- AVID - Hi Res Capture from EDL
- AVID - How to create a Freeze Frame
- AVID - How to Import MXF files (originated from Panasonic HVX200_P2)
- AVID - How to Import Audio Files Into AVID Project
- AVID - How to use the Mixer tool and Keyframes
- AVID - Importing ALE File into 30i Project
- AVID - Importing and Batch Importing Audio - Saving to EditShare
- AVID - Importing MXF Files from P2 into AVID
- AVID - Importing P2 Files
- AVID - Importing ProTools OMF files
- AVID - Keyframing Audio
- AVID - Keyframing Audio in AVID
- AVID - Kona Digitize Digibeta
- AVID - Kona DVCAM Digitizing
- AVID - LanShare Login
- AVID - Locked Bins
- AVID - Media Creation Tool
- AVID - Offline Project Setup and Capture
- AVID - Output to Tape from AVID Xpress to DV
- AVID - Panasonic HMC150 Windows Workflow
- AVID - Export a H264 Quicktime
- AVID - Renaming an AVID Project
- AVID - Renaming a Project
- AVID - Saving an EDL Xpress Pro
- AVID - Simple Trimming, Staying in Sync, Fixing Sync, & Advanced Trim - Slip and Slide
- AVID - Sonic SD or Blu-Ray DVD Creation
- AVID - Sony HDV Workflow
- AVID - Standard DVD Creation Workflow
- AVID - Subclipping
- AVID - Syncing Audio
- AVID - Syncing Video and Audio
- AVID - How to Copy Project files and Media from Classmedia Volume to Hard Drive
- AVID - Title Tool
- AVID - Automatic Color Correction
- AVID - Timeline Audio Waveform Tips - Viewing audio kinda like Final Cut Pro
- AVID - Deleting Media Databases
- AVID – Red AMA Offline Low Res to Online Workflow
- AVID - Replacing Super Bin with Tabbed Bins in Media Composer 6
- AVID - Multicam Project workflow
- AVID - Fast Import Apple ProRes .mov to AVID Pro Res .mxf Workflow
- AVID - Importing a SD 4 x 3 DVD into an HD 1920 x 1080 AVID Project
- AVID - Sony XDCAM - EX Project Setup
- AVID – Capture DV footage into Media Composer Version 6
- AVID – How to Turn in Class Media Projects and Additional Sound EFX
- AVID - Digital Cut to DV Tape Workflow
- AVID - AMA Explained
- AVID - Add Source Timecode Burn In to Sequence
- AVID - Export an Apple ProRes QuickTime from AVID ProRes Sequence
- Basic Audio Editing in Avid
- AVID - Project Setup and Workflow for AVCHD video files recorded on the Canon C100, Sony FS100 and the Panasonic HMC150
- AVID - 318 - Post Production Workflow
- AVID - Record Temporary Narration using the AVID Audio Punch In Tool
- AVID - Full Screen Playback on a Secondary Monitor
- AVID to Davinci Resolve - Relinking Red .R3d files for export to Davinci Resolve and Resolve Project Setup
- AVID- Export a AVID DNxHD 23.98 Quicktime
- AVID - How to Export an AAF and QuickTime To Davinci Resolve
- AVID - Export timeline .AAF and Quicktime To After Effects
- AVID - Canon – XF Utility Compact Flash Card Media Backup Workflow
- Automatic Duck Final Cut Pro Export Workflow
- AVID - Pan and Scan Effect Using the Pan and Zoom Effect
- AVID - Canon – 318 XF Utility and AVID Project workflow
- AVID – Vimeo Exporting Workflow
- AVID - Importing a Photo or Still Image
- AVID - Resolve - Color Correction Round Trip opening Color Corrected Files into AVID Workflow
- AVID - Sony Z5U Workflow
- AVID – Relinking Offline Master Clips
- Davinci Resolve – Quicktime Reference Import and Setup
- AVID - Studio 4A 3 Camera Production - Project Setup
- AVID – Canon XF Utility – CF Card Data Repair Workflow
- Resolve - Final Conform and Color Correction Project Setup - Import .aaf and Quicktime
- AVID – Sequence Timeline High Quality Rendering Settings
- AVID - BlackMagic Pocket Cinema Camera Setup
- AVID – SONY HDRTD30V, SONY HXR-NX3 and Panasonic Z10000 Stereoscopic Workflow
- AVID – Panasonic HDC-Z10000 Recording and Project Setup Guide
- AVID - 3D - How to Export an Over/Under sequence in AVID as H264
- AVID - 3D - Ingesting Media without Metadata using XDCAM footage and AMA (Avid Media Access) : Example using TD300 camera
- AVID - 3D - Create a Stereoscopic Project
- AVID - Stereoscopic - How to AutoSync (Sync) 3D clips
- AVID – Relinking to 2K or 4K Native files for .aaf and QuickTime export to Davinci Resolve
- AVID – Audio Import Sound Mix LtRt .wav files
- AVID – How to covert a timeline or sequence from 23.98 to 24
- Mpeg Streamclip – How to convert h264 to ProRes or AVID DNxHD quicktimes
- AVID - Licensing and Product Upgrades
- AVID - ISIS Client Manager Log In Workflow
- Barco - 3D Projection Playback
- AVID - Stereoscopic Sequence to Davinci Resolve
- AVID - How to add a Watermark to Your Video Timeline
- AVID - How to adjust QuickTimes That are Exported From Davinci Resolve
- DaVinci Resolve to AVID - How to make AVID Project and .mxf MediaFiles
- AVID - Blackmagic Design Intensity Extreme CMB 1 Setup
- AVID - Deck Control Keyspan 8pin mini Din to DB9 9pin male wiring diagram
- CMB - Grad Suite Audio and Video Playback Setup Using BMD – Thunderbolt Shuttle
- AVID – BlackMagic Output to Plasma Monitor Settings CMB Undergrad Edit Lab 4.120
- AVID - Sony F5 Footage Project Setup and Transcoding Workflow - XAVC HD 2K Data
- AVID - Sony F5 Footage Project Setup and Transcoding Workflow - Gemini 4444 DPX Files
- CMB - Grad Edit Suites how to listen to computer audio through speakers
- AVID - ISIS 5500 Server - Media Management
- AVID - Syncing Audio with Plural Eyes
- Plural Eyes version 3 - AVID Round Trip Sync Workflow - This doesn't work with Plural Eyes Version 4!!!
- AVID - Export a .WAV audio file
- AVID - Applying Audiosuite PlugIns to Master Clips - Time Shift to Adjust Audio Speed
- AVID - Nexis Client Manager Log In Workflow
- AVID - Syncing Audio with Plural Eyes Version 4 (in progress)
- AVID - Using Audio Waveforms to Sync Double System Audio - (Plural Eyes workflow within AVID)
- AVID - Importing or Batch Importing footage into AVID
- AVID - Izotope Plugins Workflow
- AVID – Arri Alexa Camera Recording Setup and AVID Project Setup
- AVID - Panasonic Varicam LT 4K Recording setup and AVID 4K Project Setup
- CMB - Grad Suite CMB 4.112H HD, 2K, and 4K Audio and Video Playback Setup Using Blackmagic Design and the Artist DNxIO
- AVID - Panasonic - DVX 200 - Quick Start Editing Workflow
- AVID - How to change the aspect ratio on the entire edited timeline
- AVID - NewBlue Titler Tool - How to Create Titles in 2K and 4K Projects
- AVID - NewBlue Titler Tool - How to Create SCROLLING Titles in 2K and 4K Projects
- CMB - Grad Suite CMB 4.112G HD Audio and Video Playback Setup Using Blackmagic Design and the Artist DNxIO
- AVID - How to Create 2K and 4K Titles
- AVID 101 and 110 Instructor Media
- AVID - Canon 5D and 7D and 60D and 70D anything Canon DSLR - Workflow
- AVID - Mixing Frame Rates in Same Project
Pro Tools
- How to measure Audio Visual Sync offset
- ProTools – 1.106B Sound Booth Recording Workflow
- ProTools - Adding and Using Reverb
- ProTools and EditShare - How to Set EditShare as a Record Volume
- ProTools - Audio Mixing Preparation and Information
- ProTools - Audio Record Volume Error Fix
- ProTools - Audio Suite Greatest Hits
- ProTools - AVID - How to Connect the AVID Artist Interface
- ProTools - Basic editing with ProTools07
- ProTools - Bounce an Audio File in ProTools
- ProTools - Change sample rate
- ProTools - CMB 1st Floor OMNI Stereo Rooms How to set up Monitoring and Video playback
- ProTools - Creating a Click Track
- ProTools - Creating Tone Media
- ProTools - Crestron HDMI Audio Playback Setup For Teaching Stations
- ProTools Error - Could not create the TCE plug-in's factory default file because the plug-in doesn't support the current sample rate.
- ProTools - Final Film Mixes Calendar
- ProTools - Getting Started Guide
- ProTools - Getting Started in PT LE
- ProTools - HDMI 5.1 Surround setup Crestron Studios and Classrooms
- ProTools – HD Suites Surround 5.1 Session Start up with the AVID Artist Interface
- ProTools - How to PullUp or PullDown audio files captured with a hard disk recorder
- ProTools - How to Record Audio Using The CMB 1st Floor Suites
- ProTools - How to Record Sound or ADR "Automated" Dialog Replacement in ProTools 5 CMB 1.122
- ProTools - How to Save Session as Copy by Consolidating Files
- ProTools - Open a .aaf or .omf and Quicktime in ProTools
- ProTools - Preparing Project for Audio Mixing
- ProTools - Printmaster workflow
- ProTools - ProTools 11 Audio Monitoring Setup in CMB 4.120 Undergrad Edit Lab
- ProTools - Pull Down Audio Files captures with a hard disk recorder
- ProTools - Pull Down Audio Files Capture with Hard Disk Recorder
- ProTools – Recording Workflow CMB 1st Floor
- ProTools - Reference Guide v6
- ProTools - Relinking Audio Files in ProTools
- ProTools - Save Session as a Copy
- ProTools - Searching for Sound Effects Workflow
- ProTools - Session with Machine Control
- ProTools - Setup for Sound Check Session
- ProTools Suite 1.106B - Nagra Set Up
- ProTools - SurCode Readme - How to use Plugin
- ProTools - Video and Audio Monitoring Setup in CMB Grad Suite Edit Labs -
- ProTools - What the other buttons do in the volume control in 5 CMB 1.122
- SurCode Plugin Printmaster Workflow Using ProTools 4 CMB4.108A and ProTools 5 CMB 4.122
Final Cut Pro Software
- FCP - (Final Cut Pro Version 7) Davinci Resolve Roundtrip Color Correction Workflow
- Final Cut Pro
- Beginning Final Cut Pro
- Cinematools - Cinema Tools 59.94 to 23.98 Slo - Motion Conform
- Cinema Tools PAL AND NTSC Frame Rate Conversions
- Common Video Resolutions
- FCP - 5.1 Surround Sound Audio Setup
- FCP - 7D workflow
- FCP - Add Markers in Final Cut Pro
- FCP - Apple ProRes project setup
- FCP - Audio Monitoring from FCP in CMB First Floor Edit Suites
- FCP - Audio Settings in FCP
- FCP - Backing up or Consolidating Media
- FCP - Batch Export
- FCP - Batch Export using Markers
- FCP - Burn a Blu-Ray disc on a Mac!
- FCP - Cannon EOS 5D or 7D 23.98 Workflow
- FCP - Capturing tape with Final Cut Pro
- FCP - Compressing Video for YouTube
- FCP - Converting 16x9 video to 4x3
- FCP - Converting a 16X9 sequence into a 4X3 video
- FCP - Create a DV-NTSC Project in FCP
- FCP - Creating a Freeze Frame
- FCP - Creating Title Clip
- FCP - Crop a video image
- FCP - Deleting the Final Cut Pro Preferences File
- FCP - Digitizing AVCHD footage to ProRes using Final Cut Pro
- FCP - Digitizing DVCProHD 720p 59.94 tape into Final Cut Pro using a Kona card
- FCP - Digitizing HDCam 23.98psf to DVCProHD codec in Final Cut Pro using a Kona card
- FCP - Digitizing HDCAM 23.98 to Apple ProRes using Final Cut Pro with a Kona card
- FCP - Digitizing HDV Tape to ProRes in FCP via FireWire
- FCP - Editing in Final Cut Pro
- FCP - Export a .omf and QuickTime to use in ProTools Mix
- FCP - Export a DV QuickTime from Final Cut Pro
- FCP - Export a still frame from Final Cut Pro
- FCP - Exporting a DV QuickTime in FCP
- FCP - Exporting an mpeg-4 Project File out of Final Cut
- FCP - Exporting an OMF Audio file
- FCP - Exporting Audio in the .omf format from Final Cut Pro
- FCP - Export Self Contained QuickTime for Screenings
- FCP - FCP5 projects in FCP4.5 with XML Export Import
- FCP - Fix a jittery pan using directional blur
- FCP - Get Started Using Final Cut Pro
- FCP - Grad Kona Suites 10 bit 60P Caputre Set Up
- FCP - HDCAM Digitizing for offline or online 2398 framerate with KONA card
- FCP - HDV Native Workflow
- FCP - How to Add Handles to Extend Subclip Lengths
- FCP - How to Capture using a Sony HDV deck via firewire
- FCP - How to capture video from tape
- FCP - How to Extend Handles on Subclips
- FCP - Import from an Audio CD into Final Cut Pro using iTunes as a CD ripper
- FCP - Importing Audio
- FCP - Importing Stills + Basic Motion Graphics
- FCP - Importing XDCAM-EX into Final Cut Pro
- FCP - Import Sequential TIFF Files 2K Timeline
- FCP - Keyspan Machine Control
- FCP - LAB 01
- FCP - LAB 02
- FCP - LAB 03
- FCP - Media Management Online
- FCP - Media Manage Sequences for Backup
- FCP - Merged Clips
- FCP - Monitoring Audio
- FCP - Multiclip Workflow
- FCP - NTSC to PAL Standards Conversion
- FCP - Omneon Server Workflow
- FCP - Online Digibeta Footage in FInal Cut Pro
- FCP - Organizing Audio for Mix
- FCP - Organizing Your Project
- FCP - Output to Digibeta or DVcam from a Kona Card
- FCP - Output to DVCProHD 720
- FCP - Performing an HDCAM 23.98 to 29.97 Crossconvert through FCP with a Kona Card
- FCP - Photoshop Scanning Photos CSF
- FCP - Prep FCP project for Color Correction in Color Help Sheet
- FCP - Recompressing for Offline then relinking for Online
- FCP - Screening Reel Assembly for Teaching Assistants
- FCP - SD Upconvert to HDCAM
- FCP - Sony Z5U 23.98 Workflow
- FCP - Still Image Scaling and Pan and Scan
- FCP - Syncing audio in Final Cut Pro by making "Merged Clips"
- FCP - System Settings
- FCP - Using Edit to Tape from FCP to HDCAM at 23.98fps
- FCP- Using Edit to Tape in FCP to start at specific timecode
- FCP - Using Media Manager on a timeline for backup and archiving
- FCP - Using Subclips in Final Cut Pro to split a long clip into chunks
- FCP - Video Full Screen on LCD Monitor
- FCP - Work Offline Using Apple ProRes & Reconform to Native RED QuickTime Media in Final Cut
- Final Cut Pro - Apple ProRes Quicktime Export Workflow
- Organizing Audio Tracks for A Sound Mix
- Save a video from the internet
- How to Playback DualMono tracks in Final Cut Pro
- Landing Page - Final Cut Pro Helpsheets
QuickTime and QuickTime 7 Pro
- Apple ProRes data-rate
- Clip editing with Quicktime 7 Pro
- QuickTime Player – Export a H264 file
- Record video with Quicktime player (Use the Station 05 in CMA 4.138)
DVD Studio Pro
- DVD Studio Pro - Author a DVD in DVD Studio Pro
- DVD Studio Pro - Author a DVD
- DVD Studio Pro - Authoring a 5.1 DVD with Surround Sound
- DVD Studio Pro - DVD Duplication with DVD Studio
- DVD Studio Pro - Exporting an 8-bit File for DVD studio
- DVD Studio Pro - How to Change Button Styles
- DVD Studio Pro - How to Make a Compilation DVD with Play All
- DVD Studio Pro - Make a 4x3 SD DVD
- DVD Studio Pro - Make a simple DVD
- DVD Studio Pro - Making a DVD
- DVD Studio Pro - Photoshop Layer Menu Workflow
Compressor
- Compressor - Compressing QuickTimes for Web Download
- Compressor - Encoding HD content for Vimeo
- Compressor - Vimeo Droplet Workflow
EP Scheduling Helpsheet
iDVD Intro
iTunes
- iTunes - Burn an Audio CD
- iTunes - Convert a CD to a AIFF
- iTunes - Convert an Audio File to AIFF
- iTunes - Convert Audio File to AIFF
Purchasing a Firewire Drive
Recommended Hard Drives for Non-Linear Editing
Steps to Backing Up or Consolidating Media
Post-Production
- Digital Video
- Adobe Premiere - Set Audio Tracks Prior to Editing
- AVID 2K Digital Cinema Package - DCP Creation Workflow Using "Easy DCP"
- AVID 2K Digital Cinema Package - DCP Creation Workflow Using OpenDCP
- Blacking a DV Tape with Specific Timecode
- Blacking and coding a digibeta tape
- Blackmagic – Teranex – How to Capture 29.97 DV tape and Upconvert to 1080 23.98 Frame Rate Conversion and Upconvert Standards Conversion
- Blackmagic – Teranex – How to Capture 29.97i Hi8 and Upconvert to 1080p 23.98 Frame Rate Conversion and Upconvert Standards Conversion
- Blackmagic – Teranex – How to Capture 29.97 VHS, Hi8 or Umatic tape and Upconvert to 1080 23.98 Frame Rate Conversion and Upconvert Standards Conversion
- Calibrating Your Broadcast Monitor
- Changing the frame rate on HDCAM
- Compress a video for Vimeo
- DaVinci Resolve - How to Save a Copy of a Project and Relink to Media on a Different Hard Drive
- Digitizing DAT into Kona 1 or 2
- DML Guide to DV Tape
- Downconvert from HDCAM to DVCAM
- Dubbing Digibeta Tape to Betacam SP Tape
- Dubbing DigiBeta to DVcam
- DV and Audio Storage Requirements
- EASY DCP and FCP7 - How to Make a 2K DCP or Digital Cinema Package
- How to connect to the temptransfer server in Ubuntu OS
- Linux - Format a Hard Drive in Ubuntu - Use Grad Suite G CMB 4.112
- Upload a video to Vimeo
- Upload a video to Vimeo for RTF 318 Students
- Dub to min DV Not DVCAM
- HDCAM - Black and Code
- iMovie - Exporting an Mpeg-4 Project File out of IMOVIE
- Logic Pro - Logic Audio Monitoring
- Mag Dubber
- Media Duplication
- MPEG Streamclip - DVD to QuickTime
- output test
- Panasonic Plasma Monitor - How to Turn On Screensaver to fix Display Burn In
- Sony i-LINK WARNING
- Tapes for Post Production
- Vignetting
- XDCAM EX - Checkout Laptops XDCAM Transfer
- YouTube - Closed Captioning Workflow
Converting .wma files to .wav files with Soundtrack Pro
EditShare Connect - How to Mount Editshare Volumes
Maya - Rendering Using Multiple Computers
Recommended Compact Flash and SD card Readers
RACK ROOM PATCHING FROM GRAD SUITES
AVID - Creating Subtitle Deliverables for Film Festivals and Packages
Premiere - Get Started Using Premiere - Project Setup
Premiere - Export a still frame from Premiere
Premiere - Editing in Premiere
Premiere - Creating Title Clip
Adobe Premiere
A7Sii Workflows
- Edit 4K Natively in Premiere
- Make and work with Proxies in Premiere
- Overcrank, Transcode with After Effects, edit with Avid
- Shoot in HD and work in Avid/Premiere in HD
- Use Resolve to create 4K Avid Media from A7Sii footage
Davinci Resolve - Self Contained QuickTime Export
- DaVinci Resolve - How to apply Face Refinement (Studio Only)
- DaVinci Resolve - How to Composite and or "Key" Visual Effects
AVID - Exporting to QuickTime with 5.1
Apple Garage Band - How to install additional Sound Library
Overview
Content Tools
Activity