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Import the 5.1 Interleaved File into your Premiere Project

Select the file and import
Choose the Interleaved 5.1 .wav

Next need to check the sync in your final timeline.
Locate the final picture locked timeline in your project and make a copy of it by right clicking the timeline and choosing Duplicate

Load the copy of the timeline by double clicking it to load in the program monitor

Test your surround interleaved mix with the timeline you just loaded by dragging it into your picture locked timeline and check for sync.
Solo the track with the small 5.1 on it that is your mix.
Adjust by slipping the mix in the timeline if needed. You should not have to do anything if you didn't change your timeline after you exported for the mix.
If you did have to slip it to get it in sync note that number of frames you slipped the mix.
 
Once the mix is in sync with the video go on to the next step.

The next step is to do a Sequence Export with Video Only that Matches the Sequence settings




Click on the New Item and choose Sequence

Choose Sequence

Choose DNxHR HQ 2K 23.976
DON'T HIT OK YET!!

NEXT CLICK ON THE SETTINGS TAB

Choose Custom
23.976 frames/second
 

1998 x 1080 settings for FLAT DCP's or 2048 x 858 for SCOPE DCP's

DONT' HIT OKAY YET


Go to the Video Previews
Change the Preview File Format to QuickTime

Change the Codec to Apple ProRes 4444
Then click on Reset and that will change the Width and Height to match Video Custom Settings.
1998 x 1080 Flat or 2048 x 858 Scope

DCP – Scope Settings
Editing Mode Choose Custom
Timebase 23.976

Video Frame Size 2048 x 858
Video Previews need to match as well
Change the Preview File Format to QuickTime

Change the Codec to Apple ProRes 4444
Then click on Reset and that will change the Width and Height to match Video Custom Settings.

1998 x 1080 Flat or 2048 x 858 Scope


DONT' HIT OKAY YET 


CLICK ON THE TRACKS TAB NEXT



Click on the Tracks Tab and then delete the audio tracks
Audio 2 - 4


DONT' HIT OKAY YET

Set Video to 1 track
And change Master from Stereo to Multichannel and set
Number of tracks to 6

Change the Track Type of the one audio track left to 5.1

Title the sequence and click OK

Drag the imported file to the timeline so the beginning is at the beginning of the timeline
 
Slip the mix the number of frames you figured out earlier in the wiki.

Make a video only edit on to your timeline on top of the 5.1 audio and make sure they line up
 
Copy and paste the video tracks from your picture locked timeline to this one
 
Make sure your movie is in sync you will be only able to check tracks 1 and 2 so you won't hear dialog but hopefully you can tell well enough. The final check will be the QuickTime you will make next.

Scaling ?

Click on the Effects tab

may need to scale up your timeline but you will loose a little at the top and bottom

Export the QuickTime
File>Export>Media

Click on the Sequence to export and choose >File>Export>Media or click "Command M"

Choose Format QuickTime

Choose to Export Video and Export Audio


Preset Settings won't work we will have to make a custom setting.

But in the meantime choose GoPro whatever so we can modify it

Click on the Video tab and choose the Video Codec as Apple ProRes 4444

Go to Video>Basic Video Settings


Change to 2048 x 858 scope movies or 1998 x 1080 flat

23.976

Field Order - Progressive

Aspect - Square Pixels

Click on Output Name - and choose where you want to save the file.


DONT' CLICK EXPORT YET

Click on Audio tab and choose
 
Audio Codec - Uncompressed

Sample Rate 48
Sample Size 24
 
 

Audio Channel Configuration
Output Chanels
5.1 L,R,C, LFE, Ls, Rs

Choose Export

You may find other ways to do this on the internet. Ways that may seem legit, from legit organizations, like this one:
http://blogs.saic.edu/fvnmatech/2016/06/27/creating-a-master-file-for-5-1-surround-sound-dcp/
But if you follow this workflow, your mix will be wrong. Aren't you glad your attending UT.




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