IF YOU HAVE FOOTAGE IN YOUR TIMELINE THAT WAS RECORDED ON THE Canon C100 (AVCHD,) (not C300 that is okay) Sony A7s (.mts) or F3 (AVCHD) or Canon 5D or 7D (.h264) or Panasonic HMC150 (AVCHD) or any other camera
that does not record ProRes or DNxHD or DNxHR then don't use this workflow. Use this workflow
This is for projects with footage that was shot using the Sony PMW F5, Panasonic Vericam LT or that was recorded on a PIX or Ninja or on the Arri internal SXS cards using the ProRes codec.
See this wikidoc How to make a DNxHD QuickTime
NOW PREP AND EXPORT THE TIMELINE FOR RESOLVE FOR COLOR GRADING
Close project and hide the AVID media files so that AVID doesn't relink to the old transcoded media. Change the name to the AVID MediaFiles folder.
Change from this | |
To This | |
Relink to the Storage volume that the CAMERA ORIGINAL FILES .r3d or ProRes or the Sony F5 XAVCHD files are on. Go to >Tools>Source Browser | |
Choose to Link not Import Navigate to the RAW Footage folder for each card Or each day of cards and the folder Locate the original Native Pro Res .movs QuickTimes or XAVCHD or .r3D etc. Click on Link | |
The clips will load into the Bin shown here from each card you linked to. Do this till all the cards are linked and the files appear in the bin. |
When all the cards are re-linked and loaded up in the bins Do this in all the bins that contain your camera masters that are linked in AVID Once all that is done then> Open the Bin that contains your final duplicated sequence that you want to link the newly linked files to | |
Right click the sequence to relink and choose Relink >Managed Media | |
Use the standard relinking options after the AMA media has been mounted | |
If that doesn't work choose | |
Change the timeline Clip Color to show AMA clips as a different color so you can make sure you are linked to the "Native" ProRes .mov QuickTimes | |
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Notice in this timeline only part of the clips turned purple. You should have the entire timeline show purple clips so that you know all the clips are relinked. | |
On AVID timeline, you can -Match Frame>Find Bin>Reveal File to double check the files are relinking back to the original native 2K or 4K camera files | |
Once the media in the timeline is relinked to the Native Camera files the timeline should look purple (or whatever color you chose for AMA in clip color) showing that the files are relinked to AMA media. You now need to remove any "Color Transformations" or Resizing that you did in AVID because your want Resolve to have the most original version of the media. Select the timeline in the bin > Go to Clip > Refresh Sequence > All This will remove all the LUTS, Resizing, TimeWarps etc. . . Note here if you have a timewarp effect (slo mo or speed up) it's best to "Bake In that shot" What this means is export that shot with the motion effect as a "ProRes" QuickTime and then bring it back in and overwrite that clip in the sequence. | |
Check to see if your timeline has any multicam edits. Right click the timeline and choose Commit Multicam Edits | |
Click OK here on this message The sequence will be copied and the group edits committed | |
If you don't have any grouped clips then no modifications will be made but it is good to check because Resolve won't work with an .aaf that is exported from a sequence with grouped clips | |
Last put the space back into AVID MediaFiles so your audio and Offline media comes back online | |
Back in AVID
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Note when exporting a .aaf for a "ProRes" AMA linked timeline you can only use the "Link To" method | |
To create the .AAF file from a ProRes.mov AMA linked timeline | |
The .aaf for the color correction. Example shown here. | |
The deliverable for the "Resolve" session will be the folder or folders that contain the ProRes .mov files and the .aaf file | See this link for instruction on how to import the .aaf and media into Resolve. |