First decide how you would like to work:
| 1. Shoot in HD and work in Avid or Premiere in HD | Shoot in HD and work in Avid/Premiere in HD |
| 2. Shoot in 4K, transcode and work in Avid | Resolve – AVID Media Creation for Offline and Roundtrip Workflow or |
| 3. Shoot in 4K and edit native files in Premiere | Edit 4K Natively in Premiere |
| 4. Shoot in 4K, transcode and work in Premiere | Adobe Premiere Pro - Make and work with Proxies in Premiere |
| 5. Over crank, transcode in After Effects and edit with Avid | Overcrank, Transcode with After Effects, edit with Avid |
Adobe Premiere Pro - Make and work with Proxies in Premiere
AVID - Sony A7S II - Post-Production Workflow - Using Ninja Flame Recorded ProRes 4K Files
Overcrank, Transcode with After Effects, edit with Avid
Shoot in HD and work in Avid/Premiere in HD
Sony A7S II - CAMERA SETUP AND ATOMOS NINJA FLAME 4K WORKFLOW
Use Resolve to create 4K Avid Media from unsupported media
Overview
Content Tools
